Written by Simon Pegg & Edgar Wright
Directed by Edgar Wright
This film will always hold a special place in my heart as the first rated 15 that I ever got into at the cinema. I was lucky enough to study it at film A Level and so gained so much more enjoyment from the repeated viewings which I was able to get away with as “revision” for my exam. The more I watched/ studied this film, the more I fell in love with it. The constant movie references means that each time I watched it, I gained more, understood more, laughed more. Its one of those films made by film fans for film fans and yet can be enjoyed on a surface level as well. It is because of Hot Fuzz that I watched Straw Dogs and Point Break, two amazing films that I wouldn’t have seen otherwise. Appearances from British comedy actors and favourites of the trilogy, Martin Freeman, Bill Nighy and Steve Coogan just add to the classic British-ness of the film. The cameo from Peter Jackson as a bad Santa will make every film nerd chuckle to themselves.
Taking inspiration from heritage Britain films such as the Wickerman (1973) and big budget American cop films such as the mentioned Bad Boys 2, Hot Fuzz combines so many genres it will be hard not to find something you like. It is set in the small town of Sandford, which happens to be played by Wrights hometown of Wells, Somerset, and houses a true police bromance that is tested when the idealistic village of the year plays host to some suspicious accidents. Nicholas Angel (Simon Pegg) is a top London cop sent to a small town police station because he is showing up the rest of the force. Upon arrival in Sandford, Nicholas angel gains a warm welcome by the village including Simon Skinner (Timothy Dalton), Mary Porter (Spaced’s Julia Deakin) and Danny Butterman (Nick Frost), and a not so warm welcome from his fellow police officers, the Andys (Paddy Constantine and Rafe Spall) and Sergeant Turner (Bill Bailey). As the film goes on, Nicholas realises the influence of the Neighbourhood Watch Alliance on the village’s upkeep and their focus on “the greater good”. These suspicious accidents seem to be connected and it is up to Nicholas Angel to uncover the truth about Sandford.
The bravest opening shot I’ve ever scene, one long almost static take of Nicholas Angel walking towards to camera, which I for one would have been too scared to make last that long, opens this film with high expectations of incredible camera work. You will not be disappointed. Along with the typical editing that we as an audience have come to expect from an Edgar Wright movie, there are plenty of quick cut montages to go around. A surprising turn of events allows us to revel in Pegg and Wright’s story telling abilities, as well as revelling in the amount of quotable lines that will get you every time.
As one of my favourite films, Hot Fuzz is a definite recommendation. This action/ heritage Britain parody will have to you in stitches as well as covering your eyes at shock gore moments. This is one for the film collection; it just gets funnier each time.